Friday, November 21, 2008

Dean Wareham et al, Peel Slowly and See panel discussion, Wexner Museum, Columbus, OH - 11/20/2008

It's always a bit nerve-wracking to finally meet someone whose art you really appreciate/respect/what-have-you. I've been a fan of Galaxie 500 since late high school and can say that, for about half my life, I've been a fan of Dean Wareham. And I got to meet him in a fairly non-crowded environment this week.

He and his (quite beautiful) wife Britta were playing a special performance of songs commissioned for Andy Warhol screen tests and, while here playing at the Wex, did a panel discussion of the Velvets/Warhol relationship plus a book-signing afterward. (I loved his book and highly recommend it, by the way.)

The panel, called Peel Slowly and See: Warhol, Music and Image, included Dean, Ohio State comparative studies professor Barry Shank, and Pitchfork managing editor Mark Richardson. Prof. Shank got things started with a 20-minute or so slide show and talk on Lou Reed's background leading up to forming the Velvets, including a clip of a song by Lou's pre-Velvets band the Primitives. I had never heard this before. Mark Richardson (who seemed like a shockingly cool, down to earth guy) went next and made the overriding point that it's hard to imagine how crazy it must have been to hear the Velvets back in 1967-68. One of his points was how crazy different (rock and roll speaking) 1967 was from a decade before while nowadays, 2008 doesn't seem so different than 1998. I think the term "cultural acceleration" was applied to this. Dean finished things off with more or less off the cuff remarks about his personal relationship with the Velvets. (Luna were picked to open up for the Velvets when they toured Europe briefly in 1993. Pretty awesome.)

The Q&A that followed was brief, mainly because there were maybe 40 or so folks there, most of whom didn't ask anything. Most questions were aimed at Dean, of course. I couldn't help myself and asked the whole panel, getting back to Mark's point about cultural acceleration, if they felt that music was reaching some kind of dead ends when it came to finding a sound as game-changing as the Velvets were. The discussion on that one was pretty lively, I thought.

Afterward, there was a book signing. I talked to Dean for a few minutes, and he was quite nice and, well, down to earth. I told him that I had been a fan of Galaxie since high school but, after reading his memoir, had really reevaluated and more deeply come to love Luna. He asked what I did for a living and seemed genuinely intersted when I talked about leukemia/lymphoma, etc. At the end of the conversation, I told him that I'd probably never get to meet him again and, if it was cool with him, would love to get a photo with him. And he jumped up, put his arm around me, and ... well ... there you have it. I'm a bigger fan than I was before.

Thursday, November 20, 2008

No Age, Wexner Center Performance Space, Columbus OH - 11/19/2008

As the Who once sang ... the kids are alright. Yes, it was a kid-friendly (and by "kids," I mean teens and twenty-somethings) atmosphere at the Wex for this show last night. I had listened to all of 1 minute of No Age going in, so I was kind of expecting, based on other reviews, a loud/pummeling assault. That was about right.

My friend Jenn and I grabbed a couple beers pre-show at the always yummy St. James (where we also tried a new Lagunitas brown sugar-tinged beer that was, um, strong) before getting to the show around 10.

Openers #1 were Silk Flowers, whom we missed. We did not hear good things. Then was Soft Circle, which was a cool looped thing where a guy got a good, trance-y, krautrock-esque instrumental thing going and then drummed (quite well) and chanted along. It was good if a bit tiresome.

Then it was time for No Age. They played a lot of 2-minute songs that were surprisingly complex for how much riffage and volume was going on. The vocals could have been louder, for sure, and the moshing a bit less in my face (I'm old, what can I say?), but it was a fun time. (The last moshpit I saw that rivaled this was, I swear, during Yo La Tengo's set at All Tomorrow's Parties. Crazy.) They aren't my bag 100%, but they are good at what they do.

I'm thinking that I'm going to get to meet Dean Wareham today. Kind of pumped. Now that's more my bag ...

(No setlist, as I have no idea what their songs are titled.)

Wednesday, November 19, 2008

Zoso (Zeppelin tribute band), Newport Music Hall, Columbus, OH - 11/14/2008

I'm a little late getting to this one. I have an odd love of all tribute bands, even those that are a tibute to bands that I don't necessarily love. From the B Street Band to the Sweet and Tender Hooligans, count me in. Of all the tribute bands out there, though, I have seen none as many times as I've seen Zoso, the most totally awesome hammer-of-the-gods Zeppelin-istas you'll ever come across. It is jaw-dropping how they rock the Zepplin sound. And how can one really hate the Zeppelin sound? It's awesome - end of story.

What I really like is that they play a pretty varied setlist with some oddball song choices every show. They rocked a killer "No Quarter," for instance, threw in a gorgeous "Going to California" along with some later period tunes and even opened with one of my personal faves from Zeppelin III, "Celebration Day."

It was fun, that's all I'm sayin' ...

Partial setlist ...

Celebration Day
can't remember
What Is and What Should Never Be
Tangerine
Heartbreaker
can't remember
can't remember
Black Dog
Immigrant Song
can't remember
Misty Mountain Hop
Since I've Been Loving You
10 Years Gone
Bron-y-Aur Stomp
Going to California
The Song Remains the Same
No Quarter
Over the Hills and Far Away

Stairway (why do they have to end with Stairway?)